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Rogier van der Weyden (1399 or 1400 – 18 June 1464) was an Early Dutch / Flemish painter. His surviving works consist mainly of religious triptychs, altarpieces and commissioned single and diptych portraits. Although his life was generally uneventful, he was highly successful and internationally famous in his lifetime. His paintings were exported – or taken – to Italy and Spain, and he received commissions from, amongst others, Philip the Good, Netherlandish nobility and various foreign princes.<br/><br/> By the latter half of the 15th century, he had eclipsed Jan van Eyck in popularity. However his fame lasted only until the 17th century, and largely due to changing taste, he was almost totally forgotten by the mid-18th century. His reputation was slowly rebuilt during the following 200 years; today he is known, with Robert Campin and van Eyck, as the third (by birth date) of the three great Early Flemish artists ('Vlaamse Primitieven'), and widely as the most influential Northern painter of the 15th century.
Philip the Good (French: Philippe le Bon, Dutch: Filips de Goede; 31 July 1396 – 15 June 1467) was Duke of Burgundy as Philip III from 1419 until his death. During his reign Burgundy reached the height of its prosperity and prestige and became a leading center of the arts. Philip is known in history for his administrative reforms, patronage of Flemish artists such as Jan van Eyck, of Franco-Flemish composers such as Gilles Binchois, and the capture of Joan of Arc.<br/><br/> During his reign he alternated between English and French alliances in an attempt to improve his dynasty's position. Moreover, as ruler of Flanders, Brabant, Limburg, Artois, Hainaut, Holland, Zeeland, Friesland and Namur, he played an important role in the history of the Low Countries.<br/><br/> Isabella of Portugal (21 February 1397 – 17 December 1471) was Duchess of Burgundy as the third wife of Duke Philip the Good. Born a Portuguese infanta of the House of Aviz, Isabella was the only surviving daughter of King John I of Portugal and his wife Philippa of Lancaster.<br/><br/> Her son by Philip was Charles the Bold, the last Valois Duke of Burgundy. Isabella was the regent of the Burgundian Low Countries during the absence of her spouse in 1432 and in 1441–1443. She served as her husband's representative in negotiations with England regarding trade relations in 1439 and those with the rebellious cities of Holland in 1444.
Rogier van der Weyden (1399 or 1400 – 18 June 1464) was an Early Dutch / Flemish painter. His surviving works consist mainly of religious triptychs, altarpieces and commissioned single and diptych portraits. Although his life was generally uneventful, he was highly successful and internationally famous in his lifetime. His paintings were exported – or taken – to Italy and Spain, and he received commissions from, amongst others, Philip the Good, Netherlandish nobility and various foreign princes.<br/><br/> By the latter half of the 15th century, he had eclipsed Jan van Eyck in popularity. However his fame lasted only until the 17th century, and largely due to changing taste, he was almost totally forgotten by the mid-18th century. His reputation was slowly rebuilt during the following 200 years; today he is known, with Robert Campin and van Eyck, as the third (by birth date) of the three great Early Flemish artists ('Vlaamse Primitieven'), and widely as the most influential Northern painter of the 15th century.
Rogier van der Weyden (1399 or 1400 – 18 June 1464) was an Early Dutch / Flemish painter. His surviving works consist mainly of religious triptychs, altarpieces and commissioned single and diptych portraits. Although his life was generally uneventful, he was highly successful and internationally famous in his lifetime. His paintings were exported – or taken – to Italy and Spain, and he received commissions from, amongst others, Philip the Good, Netherlandish nobility and various foreign princes.<br/><br/> By the latter half of the 15th century, he had eclipsed Jan van Eyck in popularity. However his fame lasted only until the 17th century, and largely due to changing taste, he was almost totally forgotten by the mid-18th century. His reputation was slowly rebuilt during the following 200 years; today he is known, with Robert Campin and van Eyck, as the third (by birth date) of the three great Early Flemish artists ('Vlaamse Primitieven'), and widely as the most influential Northern painter of the 15th century.
Isabella of Portugal (21 February 1397 – 17 December 1471) was Duchess of Burgundy as the third wife of Duke Philip the Good. Born a Portuguese infanta of the House of Aviz, Isabella was the only surviving daughter of King John I of Portugal and his wife Philippa of Lancaster.<br/><br/> Her son by Philip was Charles the Bold, the last Valois Duke of Burgundy. Isabella was the regent of the Burgundian Low Countries during the absence of her spouse in 1432 and in 1441–1443. She served as her husband's representative in negotiations with England regarding trade relations in 1439 and those with the rebellious cities of Holland in 1444.
The story of Saint George and the Dragon appended to the hagiography of Saint George was Eastern in origin, brought back with the Crusaders and retold with the courtly appurtenances belonging to the genre of Romance. The earliest known depictions of the motif are from tenth- or eleventh-century Cappadocia and eleventh-century Georgia; previously, in the iconography of Eastern Orthodoxy, George had been depicted as a soldier since at least the seventh century. The earliest known surviving narrative of the dragon episode is an eleventh-century Georgian text.<br/><br/> The dragon motif was first combined with the already standardised Passio Georgii in Vincent of Beauvais' encyclopedic Speculum Historiale, and then Jacobus de Voragine's Golden Legend (ca 1260) guaranteed its popularity in the later Middle Ages as a literary and pictorial subject. The legend gradually became part of the Christian traditions relating to Saint George and was used in many festivals thereafter.
Mary Magdalene (Greek Μαγδαληνή) was one of Jesus' most celebrated disciples, and the most important woman disciple in the movement of Jesus. Jesus cleansed her of 'seven demons', [Luke 8:2] [Mark 16:9] conventionally interpreted as referring to complex illnesses. She became most prominent during his last days, being present at the cross after the male disciples (excepting John the Beloved) had fled, and at his burial. She was the first person to see Jesus after his Resurrection, according to both John 20 and Mark 16:9.<br/><br/> Mary Magdalene is considered by the Catholic, Orthodox, Anglican, and Lutheran churches to be a saint, with a feast day of July 22. The Eastern Orthodox churches also commemorate her on the Sunday of the Myrrhbearers.